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    <loc>https://adrianabarton.com/blog</loc>
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    <lastmod>2025-09-26</lastmod>
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  <url>
    <loc>https://adrianabarton.com/blog/a-musical-happening-in-paris</loc>
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    <priority>0.5</priority>
    <lastmod>2025-09-26</lastmod>
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      <image:title>Blog - A Musical Happening in Paris - Make it stand out</image:title>
      <image:caption>Installation entitled Nossa Barco Tambor Terra in the newly restored Nave of the Grand Palais. Photo: Adriana Barton</image:caption>
    </image:image>
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      <image:title>Blog - A Musical Happening in Paris - Make it stand out</image:title>
      <image:caption>Inside Brazilian artist Ernesto Neto’s monumental work of crochet. Photo : Adriana Barton</image:caption>
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  <url>
    <loc>https://adrianabarton.com/blog/narrating-an-audiobook-7-things-authors-should-know</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-03</lastmod>
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      <image:title>Blog - Narrating an audiobook: 7 things authors should know - Make it stand out</image:title>
      <image:caption>First day in the studio recording the audiobook version of Wired for Music; check out the giant mic and the screen scrolling the text</image:caption>
    </image:image>
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      <image:title>Blog - Narrating an audiobook: 7 things authors should know - Make it stand out</image:title>
      <image:caption>Wired for Music is available as a hardcover, e-book and audiobook (paperback to be released in Fall 2023)</image:caption>
    </image:image>
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  <url>
    <loc>https://adrianabarton.com/blog/7-reasons-to-read-book-acknowledgments</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-08</lastmod>
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      <image:title>Blog - 7 reasons to read book acknowledgments - Make it stand out</image:title>
      <image:caption>More than 80 names appear in the thank-yous at the back of my book “Wired for Music”—and I wish I’d included more.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/beyond-my-wildest-expectations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-26</lastmod>
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      <image:title>Blog - Beyond my wildest expectations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/b7265af7-b5a9-4e19-a26c-114e88597064/ChanCentre.jpg</image:loc>
      <image:title>Blog - Beyond my wildest expectations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/virtuoso-girls-lost-too-soon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1599599012180-095QIV514O9Q24TF2U9L/Aruna.jpg</image:loc>
      <image:title>Blog - The virtuoso girls I'll never forget</image:title>
      <image:caption>Aruna Anantaraman at 15, after winning the Edythe Young Browne Trophy for top marks in violin. Photo: Courtesy Anant Anantaraman</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - The virtuoso girls I'll never forget</image:title>
      <image:caption>Me at 16, holding Aruna’s trophy a year after I won the prize. Photo: Russell Barton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1597965982123-908N708E7MFWOIB4RPNR/Air_India_Memorial.jpg</image:loc>
      <image:title>Blog - The virtuoso girls I'll never forget</image:title>
      <image:caption>Aruna and Rupa’s names are engraved in the Air India Memorial in Toronto, in Humber Bay Park East. Photo: Artur / CC BY-SA https://creativecommons.org/licenses/by-sa/2.0)</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/blog/googles-musical-doodle-mbira</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1590252312727-JKI6J0VPOL18MQFZMCOC/Google-logo.png</image:loc>
      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1590340235227-0R9QXN3K5Q6OG87QFM5D/mbira_love-_1_.gif</image:loc>
      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
      <image:caption>Art by Google “doodler” Helene Leroux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1590254589588-FIBQ1TBW0Q227XWO8YUT/Ubuntu-village.png</image:loc>
      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
      <image:caption>Mbira party at Ubuntu village, 2019. From left: Joyce Warikandwa, Dzekwa Samaita, Chiedza Mutamba.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1590254173996-D9I9DTW76LBENJRADAGZ/Caution.jpg</image:loc>
      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
      <image:caption>Caution Shonhai: mbira player and healer, February, 2019.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
      <image:caption>Not your basic “thumb piano”: mbira photo by Alex Weeks, Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1590253094350-7MHDE32LKJH4NXG8ABLO/Berkeley.jpg</image:loc>
      <image:title>Blog - What’s the deal behind Google’s latest music Doodle?</image:title>
      <image:caption>Fradreck Mujuru (centre) teaching in Berkeley, California. (I’m on the right, in red.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/5-ways-to-use-music-to-soothe-your-anxiety</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1585412043474-YV1GXWZJFHOOCJA3V6WH/headphones.jpg</image:loc>
      <image:title>Blog - 5 ways to use music to soothe your anxiety</image:title>
      <image:caption>Photo credit: Kashirin Nickolai, Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/binaural-beats-debunked</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1581877790556-IJ0WFQNGQ4Q7PNF4CE26/Headphones_with_glasses.jpg</image:loc>
      <image:title>Blog - ‘Binaural beats’ debunked: These apps offer cool marketing, but iffy health effects</image:title>
      <image:caption>Photo credit: Darekm135 / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/step-it-up-exercise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1580917827670-A2J6B47A1PKAQ0OM4APN/runner.jpeg</image:loc>
      <image:title>Blog - The secret behind fast-paced music, AKA the “legal performance enhancing drug”</image:title>
      <image:caption>Tunes for training: author Costas Karageorghis, professor of sport and exercise psychology at Brunel University London, explores evidence-based practices in his 2016 book</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1580516875108-SPTUHTFXU1628KD3SMMZ/Donkere_vrouw_met_koptelefoon_Marathon_Rotterdam_2015.jpg</image:loc>
      <image:title>Blog - The secret behind fast-paced music, AKA the “legal performance enhancing drug”</image:title>
      <image:caption>Is music giving her the edge? Runner with headphones at Marathon Rotterdam 2015. Photo credit: Peter van der Sluijs, Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/renaissance-music-therapy-marsilio-ficino</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1577501053050-R208SP49XH94N77D7LU0/Portrait_of_Marsilio_Ficino_at_the_Duomo_Firence_2.jpg</image:loc>
      <image:title>Blog - One of the masterminds behind the Italian Renaissance was a mystical musician dubbed the “second Orpheus”</image:title>
      <image:caption>Bust of Marsilio Ficino by Andrea Ferrucci, in the Cathedral of Florence, Santa Maria del Fiore. Photo: Wikimedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1578515933178-70MRX00114HHI2VXK6MA/La_nascita_di_Venere_%28Botticelli%29.jpg</image:loc>
      <image:title>Blog - One of the masterminds behind the Italian Renaissance was a mystical musician dubbed the “second Orpheus”</image:title>
      <image:caption>Sandro Botticelli’s “The Birth of Venus,” painted in 1483-1483, explores classical themes championed by Marsilio Ficino. Photo credit: Wikimedia Commons (public domain)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1577501086505-6NPJDAXUUPX2SCNUGUMO/Ficino.jpg</image:loc>
      <image:title>Blog - One of the masterminds behind the Italian Renaissance was a mystical musician dubbed the “second Orpheus”</image:title>
      <image:caption>Marsilio Ficino (1433-1499), shown in a fresco painted by Domenico Ghirlandaio in the Tornabuoni Chapel, church of Santa Maria Novella, Florence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1577501641497-5NNR2MFMKTFKJHOWU9FJ/800px-Villa_di_careggi_11.jpg</image:loc>
      <image:title>Blog - One of the masterminds behind the Italian Renaissance was a mystical musician dubbed the “second Orpheus”</image:title>
      <image:caption>Villa Medici at Careggi, Florence. Site of the neo-Platonic Academy headed by Marsilio Ficino, who died here in 1499. Photo credit: I, Sailko, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7430861</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1578437862350-ESZQQJFCTC9YGAXVHILN/BustPlato.jpg</image:loc>
      <image:title>Blog - One of the masterminds behind the Italian Renaissance was a mystical musician dubbed the “second Orpheus”</image:title>
      <image:caption>Scene of Ficino’s entourage celebrating neo-Platonic wisdom around a bust of Plato. Oil on canvas entitled, “The Parental of Plato,” by Antonio Puccinelli (1822-1897). Here, “parental” means “influence.” Photo: https://villegiardinimedicei.it/villa-di-careggi/</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/blog/many-have-stories-of-artist-gordon-smiths-famous-generosity-heres-mine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1579635343321-GMRHWQJ3B5BB1ES5W52I/APF_VAG+Gordon+Smith_01.jpg</image:loc>
      <image:title>Blog - Many have stories of artist Gordon Smith's famous generosity. Here's mine.</image:title>
      <image:caption>Gordon Smith at 90, in his West Vancouver studio. The B.C.-based painter and philanthropist died on January 18, 2020, at age 100. To the right is the chair that inspired the artwork he gave me. Photo: courtesy Martin Tessler</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1579635264388-V7RCPX1V4TM0A09LW8WJ/thumbnail_IMG_4637.jpg</image:loc>
      <image:title>Blog - Many have stories of artist Gordon Smith's famous generosity. Here's mine.</image:title>
      <image:caption>“Chair and Bag,” by the late Gordon Smith, hanging in my kitchen next to a fox painted by my son at age 5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1579638767819-ET90KZ0MDZPYSNWXMDR5/thumbnail_IMG_4639.jpg</image:loc>
      <image:title>Blog - Many have stories of artist Gordon Smith's famous generosity. Here's mine.</image:title>
      <image:caption>Chair crafted from the wire of a champagne stopper by my friend, Andrée Pouliot</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/music-the-super-stimulant-for-your-brain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1534081769758-1L90WOIJGB869FAL0PX8/Inter-choir.jpg</image:loc>
      <image:title>Blog - Music to cope with cognitive decline</image:title>
      <image:caption>Gracia Seal (centre) and St. Andrew's Regional High School students Jessica Coady(left), Claire O'Neill and Mari Chambers on percussion, practice with the Voices in Motion intergenerational choir project led by University of Victoria researchers. Photo credit: Suzanne Ahearne/UVic</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/blog/neurologic-music-therapy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1534012933150-R4XNGCTWL6BNCLFEVQV9/Hilary+Jordan.jpg</image:loc>
      <image:title>Blog - Behind the scenes of my latest Globe and Mail article</image:title>
      <image:caption>Hilary Jordan and her son, Mark, a month after her husband's accident in 1987. Photo courtesy Hilary Jordan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1534013790694-0YHXCF6BACZGLA50EKHM/Depositphotos_10720552_l-2015.jpg</image:loc>
      <image:title>Blog - Behind the scenes of my latest Globe and Mail article</image:title>
      <image:caption>Scientists are still cracking the code of human consciousness.</image:caption>
    </image:image>
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    <loc>https://adrianabarton.com/blog/category/Brain</loc>
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  <url>
    <loc>https://adrianabarton.com/blog/category/Travel</loc>
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    <loc>https://adrianabarton.com/blog/category/Art</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/category/Exercise</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/category/Health</loc>
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    <priority>0.5</priority>
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    <loc>https://adrianabarton.com/blog/category/Music</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/category/Book</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/category/Music+Therapy</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://adrianabarton.com/blog/category/Global+Cultures</loc>
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  </url>
  <url>
    <loc>https://adrianabarton.com/blog/tag/Lawren+Harris</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Neil+Young</loc>
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    <priority>0.5</priority>
  </url>
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    <loc>https://adrianabarton.com/blog/tag/West+Vancouver</loc>
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    <priority>0.5</priority>
  </url>
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    <loc>https://adrianabarton.com/blog/tag/Four+Seasons+Whistler</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/mental+health</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Florence</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Rupa+Anantaraman</loc>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Google+Doodle</loc>
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    <loc>https://adrianabarton.com/blog/tag/Erica+Azim</loc>
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    <loc>https://adrianabarton.com/blog/tag/music</loc>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Bhawani+Anantaraman+Memorial+Foundation</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/audiobooks</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Air+India+Flight+182</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/books+on+music</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>https://adrianabarton.com/blog/tag/Zumba</loc>
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    <loc>https://adrianabarton.com/blog/tag/monumental+fiber+art</loc>
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    <loc>https://adrianabarton.com/blog/tag/publishing</loc>
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    <loc>https://adrianabarton.com/blog/tag/grief</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1687023210259-OYC0FAKLZMGSIRUL5Q7P/2-Barton-age5.jpg</image:loc>
      <image:title>Visual Guide - Wired For Music: The Visual Companion | Prelude - Make it stand out</image:title>
      <image:caption>A blurry Polaroid of me playing a plywood loaner cello about six months after I held the instrument for the first time. I was dutifully practicing in front of one of my mom’s paintings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c96c6d24-5083-4ec3-9509-9bf43684bd2b/3.jpg</image:loc>
      <image:title>Visual Guide - Wired For Music: The Visual Companion | Prelude - Make it stand out</image:title>
      <image:caption>In her late 20s, while I was in nursery school, my mother spent her days drawing members of Canada’s National Arts Centre Orchestra. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Visual Guide - Wired For Music: The Visual Companion | Prelude - Make it stand out</image:title>
      <image:caption>My mother’s drawings of orchestral musicians varied from extremely detailed to wildly abstract. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f10c85b8-cce0-4a39-a8a2-c950efdfcd36/4.jpg</image:loc>
      <image:title>Visual Guide - Wired For Music: The Visual Companion | Prelude - Make it stand out</image:title>
      <image:caption>Note the gestural conductor and intensity in the orchestra pit. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1833c6e0-d180-4ea7-8082-69d8917c1468/1.jpg</image:loc>
      <image:title>Visual Guide - Wired For Music: The Visual Companion | Prelude - Make it stand out</image:title>
      <image:caption>Mom often sketched orchestral musicians from unusual angles to capture the physicality of their playing. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
    </image:image>
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    <lastmod>2024-09-23</lastmod>
    <image:image>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>Left: Diagram of Abraham Maslow’s “hierarchy of needs,” Creative Commons. Right: Blackfoot teepee from 1880, photo in U.S. and Canadian public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
      <image:caption>Collectors of vintage keyboards can get so into ‘80s synth sounds, they paint the walls to match!</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>Roy Thomson Hall in Toronto, designed by the late Canadian architect Arthur Erickson. I remember being unnerved as spectators peered at the orchestra from the sides of the wraparound auditorium. Photo Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>Tuvan shamans drumming in the Second All-Russian Congress of Shamans, 2019, Tyva. Photo Irgit, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>By my mid-30s, I hadn’t played my cello in a decade. Seeing my bow like this was a shock.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Harold Rhodes with metal tone bars</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Bedside "Pre-Piano" by Rhodes</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Ray Manzarek, Rhodes Piano Bass</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Rattles from Costa Rica (date unknown)</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
      <image:caption>Canada’s National Arts Centre in Ottawa: What a thrill it was to perform in the same auditorium where I’d watched cellists Mischa Maisky and Yo-Yo Ma play. Photo SamuelDuval, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>Carnegie Hall in New York City looks as magnificent today as it must have on opening night in 1891, when composer Pyotr Ilyich Tchaikovsky conducted on stage. Photo Tdorante10, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
      <image:caption>The putamen is a key structure involved in motor movement—and is stimulated by music. Illustration adapted from image in Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction</image:title>
      <image:caption>Official logo created after President George Bush declared the ‘90s the “Decade of the Brain.” (Graphic design has come a long way since then!) Image U.S. public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Introduction - Make it stand out</image:title>
      <image:caption>Iron Age figurine playing a drum. Photo Israeli National Maritime Museum, Creative Commons.</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/visual-guide/wired-for-music-the-visual-companion-chapter-1-strings-attached</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>Montreal dazzled me with its Paris-in-North-America flair.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/5ac737c9-f762-493a-a9a5-21e444374836/thumbnail_IMG_3534.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>To this day, although I stopped playing the cello three decades ago, the left pinkie on my fingering hand stretches a full inch farther than the right.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/0379973c-b39d-4d96-86e4-0a51761109e4/Untitled+design+%282%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>At age 18, in my second year of university studies in Cleveland, I dressed as a “vampire victim” for Halloween. I smiled for the camera (left) but inside, my self-doubt as a musician was draining the life out of me.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>I spent my first two years of university studying at the Cleveland Institute of Music, built in the late 1950s in University Circle, Cleveland, Ohio. Photo in public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>A ganglion cyst: Mine were larger and in each wrist, erupting near the start of my freshman year as a scholarship student in Cleveland. Photo GEMalone, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>A contemplative event at Loyola Chapel on the Concordia University campus. In the same chapel, I performed solo Bach in a vigil to commemorate the victims of the 1989 École Polytechnique massacre. Photo via Hospitality Concordia fonds, Concordia University Records Management and Archives, Reference code I0042.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>I still have the vinyl album Yo-Yo Ma signed for me when I turned 16: “To Adriana Happy Birthday!!! + good wishes for S.S. etc. etc. YYM.”</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>Two of the rocks stars I greeted as a radio-station receptionist. Left: Alice Cooper, photo Biha, Creative Commons. Right: the late Meatloaf, photo Super Festivals, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>Left: Me at age 15, with ten years of cello under my belt. Right: In this sketch by my mom, I have no body, no heart — just contorted fingers and a look of intense concentration. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>The American poet Henry Wadsworth Longfellow, circa 1850. In his prose collection Outre-Mer: A Pilgrimage Beyond the Sea, published in the 1830s, Longfellow penned the phrase “Music is the universal language of mankind.” A romantic ideal turned cliché. To the modern ear, this phrase has colonial undertones. Out of all the world’s music, which did he consider to be the “universal language”? Photo in public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Program cover, Nov. 1990</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Performers' names inside</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>My mother, the artist Susan Feindel, painted this watercolor of the late Ottawa-based luthier Joseph Kun — inventor of the “Kun” violin rest. His beautifully crafted cello and violin bows became collectors’ items after his death in 1996. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>As a child, I spent three or four nights a week in the grim state-run conservatory (far left) on the campus of l’Université du Québec in Hull, across the river from Ottawa.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>“How do you get to Carnegie Hall? Practice, practice, practice.” Photo Wholtone, Creative Commons.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/4354944a-4998-4c1e-9aaa-7d8e74b1cef5/cello-scars.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>A previous owner must have dragged my century-old cello on hard surfaces, roughening the edges on both sides.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3d749041-d7e7-43e7-ae97-57f7405a934c/me+in+lesson.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>In this drawing with my first cello teacher (left), I am about nine years old. I look solemn and melancholy in every sketch my mom did of me playing the cello. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached</image:title>
      <image:caption>Louise Hay’s book on positive affirmations was all the rage in the 1990s. But much as I tried, I couldn’t self-help my way out of cello-induced tendinitis and debilitating self-doubt.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 1: Strings Attached - Make it stand out</image:title>
      <image:caption>Home of the Cleveland Orchestra: Severance Hall. During my studies in Cleveland, I received regular free tickets to see this magnificent orchestra, led at the time by the brilliant conductor Christoph von Dohnányi. Photo Cbusram, Creative Commons.</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/visual-guide/wired-for-music-the-visual-companion-chapter-2-the-music-instinct</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3f4468b0-6ffc-40b2-a242-20f0b3c5a66d/1280px-Comparison_of_size_of_chimpanzee_%28Pan_troglodytes%29_and_human.svg.png</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Chimps and humans separated from our last common ancestor roughly six million years ago. Illustration The Nature Box, Creative Commons.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/5d188fd8-88b7-4d41-bcae-2549d594421d/17.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Prehistoric cooking fires, over centuries, fanned the flames of human imagination. Photo Alasdair, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1691770001049-YQYT2NLPKZ369Y0WQBU0/crow.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Percussionist Evelyn Glennie, deaf since childhood, performing at the Moers Festival in 2004. Photo Creative Commons.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/d9dad405-5835-430e-b26f-d2f1a9a93b6f/25.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>In southern England, human ancestors hunted megalocerus (giant deer) that stood roughly 6’7” at the shoulder and weighed more than half a ton. Reconstruction of extinct megalocerus at the Prehistoric Park in Tarascon, France. Photo Tylwyth Eldar, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>From left: My yogi-mathematician father and artist mother met in the mid-1960s through a shared love of music, in the sitting room of a boarding house in Toronto.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - My birthplace</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Goldberg Variations: Aria</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>In Tanzania, the turnoff to the “Cradle of Humankind” — Olduvai Gorge — features six-foot-tall concrete skulls of the hominid species Paranthropus robustus and Homo habilis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/6352ba8f-8bb0-4f07-a845-6a0e0ee5c5f9/26.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>Our human ancestors lost the laryngeal air sacs (inflatable extensions of the vocal tract) that allow chimpanzees to “hoot pant” and breathe at 10 to 15 times the normal rate. The loss of laryngeal air sacs allowed humans to vocalize with greater finesse. Photo courtesy Chimpanzee Sanctuary Northwest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/195d9804-f079-4fc3-8bf1-83e7b6e9e093/28.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>In this cave, Hohle Fels, in Germany’s Swabian Alps, archeologists discovered flutes dating back more than 40,000 years. Photo Dr. Eugen Lehle, Creative Commons.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f7f634e1-7df5-4d94-9a6e-e55b7e9394b1/14.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>Replica of the Laetoli footprints discovered in Tanzania in 1978 by Mary Leakey. Photo Momotarou2012, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f49cc5e3-2bf1-475e-a9ed-3ebf65bce0be/Brain+on+Music.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Left: Daniel Levitin’s book “This Is Your Brain on Music” (2006) became a perennial hit. Right: Levitin, a neuroscientist, author and musician, has performed with the likes of Bobby McFerrin, Rosanne Cash and Sting. Photo Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/0c450a73-7312-43df-aac0-8601d93d9120/1280px-Baked_cheesecake_with_raspberries_and_blueberries.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Music may be a sweet treat for the ear, but dismissing it as nothing more than “auditory cheesecake” ignores its inherent role in human evolution. Photo zingyyellow, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/d291b91b-6492-4b50-a241-20f8f5f801d3/handaxes.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>Left: Lower Paleolithic hand axe, roughly 1.2 million years old, taken from Olduvai Gorge in Tanzania; currently in British Museum, photo public domain. Right: Bifacial symmetrical pointed hand axe circa 280,000 BCE; photo (cropped) via Portable Antiquities Scheme, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/bfabcd49-ba03-4c27-a5a0-083e6c18828e/22.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>My mom, a widow in her late 20s, playing one of her clay flutes in Mexico. I was a toddler along for the ride.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3449220f-ed3c-46ae-9205-9b80dc1bf523/9.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Based on EEG experiments, the brains of rhesus macaques do not detect a musical beat the way human newborn brains do. Photo Charles J. Sharp, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/4b27293e-3683-495e-abfd-79ef58d0064e/19.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>Though I have no memory of this time, as a toddler, I was surrounded by jamming musicians.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c371091a-8e2f-4860-8954-9a5f8e734e24/21.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>The abandoned stable in Chiapas where my mom, her boyfriend and my sister and I slept. Photo Susan Feindel, all rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/16686be8-0758-4ca4-a383-af43fee3fb40/29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Ice-age flute made of vulture bone, discovered in Hohle Fels cave in Germany’s Swabian Alps and dated at more than 40,000 years old. Photo Hannes Wiedmann, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/77112017-4c09-4845-8370-7f5f89973ea4/23.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Me in Mexico at nearly three years old, playing one of my mother’s flutes (it is shaped like me). I have no memory of playing this ocarina, or of the two musicians who inspired my mom to make flutes out of clay. Photo Susan Feindel, all rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/cc4e7cc4-d922-4d32-b299-0de4fba2820e/1.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>My ex-boyfriend’s Gretsch kit was similar but not as sparkly. Photo Drum Crew, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/86016f98-6562-423e-9f40-c47d3d0a38c0/thumbnail_IMG_9263.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct - Make it stand out</image:title>
      <image:caption>I found this photo recently while emptying my mother’s house. Imagine my excitement — I had never seen it before! The image fits my earliest memory: women firing clay pots in the village of Amatenango del Valle. Photo Susan Feindel, all rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/434c1150-7821-43c8-8d80-d25b03bd2451/32.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 2: The Music Instinct</image:title>
      <image:caption>Snapshots from my days as an extra on movie sets in mid-1990s Vancouver. I was a “background performer” on shows ranging from The X-Files to Happy Gilmor (starring Adam Sandler).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/visual-guide/wired-for-music-the-visual-companion-chapter-2-groove-interrupted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/e230dd60-dfc0-45fa-8805-585b4a769ae5/Muses.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>The nine Muses of Greek mythology, painted by Venetian artist Jacopo Tintoretto (1518-1594). Image in U.S. public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/709b9ddd-4b38-4e53-9028-9a44e453e2a9/Billie_Eilish_at_Pukkelpop_%2848590443381%29_%28cropped%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>Billie Eilish at the 2019 Pukkelpop Music Festival. Photo Lars Crommelinck, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/0642977f-34a7-4a45-801e-5780be64fc6b/OnofrioVicaria.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>Il portale della chiesa di Sant'Onofrio alla Vicaria Photo Baku, Creative Commons. Conservatorio di Sant'Onofrio a Capuana[edit] Sant'Onofrio a Capuana dates from 1578 and counts as its alumni Niccoló Jommelli, Giovanni Paisiello, Niccolò Piccinni, and Antonio Sacchini, four of the great names in the 18th century Neapolitan music. The Italian Baroque composer Cristofaro Caresana was a director from 1667 until 1690. The original building still stands, just across the street on the north side of the old Vicaria, the tribunale, the Naples Hall of Justice. Nacque nel maggio 1578 come istituto caritatevole per l'accoglienza di orfani e di bambini abbandonati, i quali venivano avviati fin da piccoli ai futuri impieghi artigianali.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/d1019650-eb8b-4f03-b1fd-cdccfb38c085/9780190076641.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Co-authored by Ethan Hein, Electronic Music School: A Contemporary Approach to Teaching Musical Creativity aims to motivate kids to make music using digital tools.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/8ce36815-691e-451b-a043-2054922d07db/Untitled+design+%288%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Painting from my mother Susan Feindel’s “Intensive Care” series documenting my brother’s open-heart surgery at the age of 5. The experimental procedure he received in England had never been done in North America. Artwork by Susan Feindel, cover of the Canadian Medical Association Journal in January 1985. All rights reserved.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f0c90aed-0ce0-47f7-a58d-fe3b3f1edc06/Classe_B%C3%A9riot_1895.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Outside the Conservatoire de Paris, the (all-male) class of composer Charles-Wilfrid de Bériot in 1894-1895. From left: Maurice Ravel, Camille Decreus, Gaston Lévy, Edouard Bernard, Fernand Lemaire, Charles de Bériot (seated at the piano), Henri Schidenhelm, Jules Robichon, Joachim Malats (seated at the piano), Marcel Chadeigne, Ricardo Viñes, Cortes, André Salomon, Ferdinand Motte-Lacroix. Photo Eugène Pirou (1841–1909), Bibliothèque nationale de France, public domain in U.S. and France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/83f9edfe-d23e-47b6-b63f-e7daa76a70d3/Simon_Cowell_in_December_2011.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>Simon Cowell, TV talent judge. Photo Alison Martin, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/110e577f-dec8-4a6a-9ee3-13a593c21384/trio.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Gregorian singing in the Netherlands. Photo Helena, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/b4419157-5225-439b-80cb-b9c801a1c820/Greeks.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>A Muse with a harp and two others with lyres. Image from a Greek vase in the Munich Museum. Photo public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/bd3656b8-218a-4603-ba8f-3d2bfcc649f5/monks.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>A trio of young women showed me their chops on a two-sided drum called the alfaia, played with thin mallets that made a heavy booming sound. Photo Adriana Barton, all rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/02a7bbe5-c63b-4c3a-81e3-20277606b521/thumbnail_IMG_3063.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Original members of Cascabulho, the band that inspired me to check out the music scene in Recife, Brazil. Photo Adriana Barton, all rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/cfb9df6b-93e3-4a2c-91c8-42cbc2ef8367/1280px-Sgt._Pepper%27s_50th_Anniversary_Billboard_in_London+%281%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>The Beatles’ Sgt. Pepper's 50th anniversary billboard in London, England. As a small child, I loved leafing through the pages of this weird and wonderful album. Photo Kreepin Deth, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/2becd430-8605-458b-b050-75e44fb9b332/Untitled+design+%2814%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/57e3af50-9ecb-47b3-a437-434c302e3217/1600px-Gregoriaans1.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>Gregorian chant became the official music of the Roman Catholic Church for more than a thousand years. Note the mostly stepwise progression of the melody, and absence of rhythmic notation and harmony. Photo Wasily, public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/2842d9b7-5fd5-4f00-a762-ea71aa3e7e14/1599px-Rilievo_con_corteo_funebre%2C_20_ac-20_dc_ca.%2C_da_amiternum%2C_06_musici.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>In pagan Rome, horn players pumped up the volume in chariot races, carnival trains, gladiator fights. Bas relief from ancient Rome at Museo nazionale d'Abruzzo. Photo Sailko, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c7cbf828-0cb2-4fb0-86ff-58550967ec6c/16144480349_8b5dd233c0_o.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>The Devil’s trident inspired the musical term “tritone.” Photo Charles Rodstrom, Creative Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/75b6a035-8c81-4f30-a90b-5bc16d3c6e2d/The_Artist%27s_Way.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Cover of The Artist’s Way by Julia Cameron. In this insightful book on creativity, first published in 1992, Cameron coined the term “shadow artist” to describe blocked creatives. Image Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/638ce458-400f-4ff4-8024-9f98b3b66d27/favela.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted</image:title>
      <image:caption>A favela at the water’s edge in Recife, Brazil. Photo Elvis Boaventura, Creative Commons.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692807908314-3DN7DLKCE88M4ZDX87VT/1.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Franz Ferdinand</image:title>
      <image:caption>Photo livepict.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692808221128-P2YW9UY5561F31MJ7NU5/Untitled+design+%286%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Red Hot Chili Peppers</image:title>
      <image:caption>Photo Stefan Svik</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692807925646-KXYHWMWJ5CWR0SPP15YM/Pixies.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - The Pixies</image:title>
      <image:caption>Photo Stefan Svik</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692807932413-K1G1WXPIVW98JD02URXG/BenHarper.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Ben Harper</image:title>
      <image:caption>Photo Victor Diaz Lamich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/d5015d4c-7f81-4ec2-ada3-296911ea0cce/ToneDeaf.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>A 1931 report from the magazine Popular Science describes tests designed to separate “musical” children from the supposedly “tone deaf.” Photo U.S. public domain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692904423510-V228SNZ1AFVWRGEEJR1C/bach.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - J.S. Bach</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1692730834782-YIX3GM6G9NLTI8H5857X/766px-Bach-Fantaisie_et_fugue_en_ut_mineur%2C_BWV_562_%28Berlin%2C_P._140%2C_page_2%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Bach's counterpoint</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/a94a9e7a-e380-453a-93d8-df3095c6df0a/Music_notation.svg.png</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Around the world, plenty of musicians play beautifully without ever learning the Western music notation taught to kids from day one. Symbols from left: treble clef, 4/4 time signature, a whole note, bar line, half note, half note on a ledger line, bar line, 2/4 time signature, quarter note, eighth note, two sixteenth notes, double bar line. Image public domain.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/926c3434-690d-45d6-9ae8-3fe3188119d9/giphy.gif</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Ice hockey fist bump GIF by NHL via Giphy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/8fd7b1b1-520a-4366-ad5b-7257dcd87fcb/Untitled+design+%2815%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Treble clefs mark the locations of Europe’s first four music conservatories (from left): Conservatorio della Pietà dei Turchini, built in 1583 (still standing), Conservatorio dei Poveri di Gesù Cristo, founded in 1589 (still standing), Conservatorio di Sant'Onofrio a Capuana, built in 1578 (still standing) and the oldest — Conservatorio di Santa Maria di Loreto, built in 1535 (demolished). Map adapted from Wikimedia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/4d77c9a5-4fad-41ee-ba1f-d0fc120bd45d/thumbnail_IMG_3172.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>A recent scene from the Vancouver Folk Music Festival, the seaside event that introduced me to the band Cascabulho and led to a trip to Recife, Brazil. Photo Adriana Barton, all rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/116c2525-ad00-4ffa-bb3d-6b040ccc8df3/pxfuel.com+%281%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 3: Groove, Interrupted - Make it stand out</image:title>
      <image:caption>Ever been stuck at a concert behind someone whose smartphone is blocking the show? Photo Pxfuel.</image:caption>
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  </url>
  <url>
    <loc>https://adrianabarton.com/visual-guide/wired-for-music-the-visual-companion-chapter-4-mood-music</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/8a6d0855-6e26-4783-a109-6f1b7d68825d/Tracy_Chapman_2.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Certain songs always make me misty-eyed, such as Tracy Chapman’s “The Promise.” When she sings the words, “I’ll find my way back to you,” she gets me every time. Photo Hans Hillewaert, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1695334136423-8646SDJ45QCS376FKHR8/Aruna.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Aruna Anantaraman</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Me at 15</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c454e9f9-1092-40cd-be35-c1829682dd64/5-Barton-dopamine.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Activating the brain’s dopamine pathways, music stimulates the putamen (involved in motor movement), the nucleus accumbens (involved in pleasure), and the body’s descending analgesic response via the spinal chord. Illustration adapted from image by Patrick J. Lynch, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Goosebumps, one of the physical pleasure responses elicited by music. Photo Ildar Sagdejev, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f3829c05-16bf-4b6f-b2b6-69f595c3f26c/1280px-Dopamine-from-xtal-view-1-3D-bs-17.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>Ball-and-stick model of the dopamine molecule, C8H11NO2, in the zwitterionic form found in the crystal structure determined by single-crystal X-ray diffraction and reported in J. Mol. Struct. (2013), 1051, 132-136 (CSD entry TIRZAX). Colour code:   Carbon, C: grey   Hydrogen, H: white   Nitrogen, N: blue   Oxygen, O: red Model manipulated in Avogadro 1.2 and image generated in CCDC Mercury 3.8.Date28 December 2020SourceOwn workAuthorBen Mills Image in public domain.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c0cdea7f-680e-4107-be20-74e88cbe8a8e/Van7.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>In my first two years at The Globe and Mail, I assigned and edited more than six hundred articles on visual arts, theatre, music and pop culture for a weekly arts and entertainment section in Vancouver, B.C. Photo Adriana Barton, all rights reserved.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>The structures that housed the 19th century Illenau asylum — an early adopter of music as medicine for mental illness — still stand today. Photo Gerd Eichmann, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/08d15642-abf6-451c-bf28-f96ba6b26c36/Candy_colors.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>Early in our evolution, physical pleasures including sweet foods and sex helped keep us alive. But the human brain developed, we learned to find pleasure in activities that required higher-level thinking, such as basking in Brahms. Neuroscientists refer to hits of bliss from art or music as “aesthetic” or “cognitive rewards.” Photo Stefano Mortellaro, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Artwork entitled “Anxiety” by the artist Bhargov Buragohain, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/bed4cb90-82b2-467e-b096-a52ec08ee1a3/thumbnail_IMG_3906.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Dr. Bessel van der Kolk’s insightful book emphasizes treatments that address the insidious effects of trauma beneath conscious awareness. Photo Adriana Barton, all rights reserved.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>Colorized scanning electron micrograph of a natural killer cell from a human donor. Credit: NIAIDDate30 June 2016, 17:21SourceHuman Natural Killer CellAuthorNIAID Creative Commons. D</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Beginners playing djembes in a drum circle. Image worldwide public domain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1695339028046-TVNVF50LCOMX4ER21DJL/Violinista.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Classical violinist</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1695338944240-1T77VI0W7OIAL2M5DNLH/Ravi_Shankar_2009.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Ravi Shankar</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Irish musician</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1695340830026-3CPHU396C3APA0U0YAU3/Ziggy_Marley_Guilfest_2011.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Ziggy Marley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3bd17c9a-f763-4650-aff9-deafc3de6010/An_example_of_a_music_therapy_session.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>A music therapy session involving cancer patients in Bristol, U.K. Photo Creative Commons. DateUnknown dateSourcehttps://www.canceractive.com/article/penny-brohn-uk-formerly-the-bristol-cancer-help-centreAuthorUnknown author Creative Commons</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f6c16a92-b5d9-42ce-ad1f-4cb4d0cb4517/51q8AbtxaoL._AC_.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Jacqueline du Pré wowed the world in 1962 with her gut-wrenching interpretation of Sr. Edward Elgar’s Cello Concerto in E Minor. When multiple sclerosis forced her to stop performing at age 28, this haunting concerto became the anthem of her tormented life.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1b5cb035-69df-44b9-ba1c-dfdd9ceeae6b/Oliversacks.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>The late neurologist Oliver Sacks had deep appreciation for music and wrote extensively about its effects. His bestselling books include Musicophilia: Tales of Music and the Brain. Photo Maria Popova, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/a952a252-e668-4cb2-9410-3bfb06b1f7e3/Emily_Dickinson.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music</image:title>
      <image:caption>The poet Emily Dickinson aptly described depression as “a funeral” in the brain. Clinical depression brings persistent feelings of sadness and low self-worth, along with sleep problems, lack of energy, and in many sufferers, thoughts of suicide. Photo Amherst College, public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Page from an extensive chapter published in 1641 on “tarantella” music as an antidote to tarantula venom, from the text Magnes sive de Arte Magnetica by the Jesuit scholar Athanasius Kircher. Image scanned by Feldkurat Katz, U.S. public domain.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/e3a7b94d-3583-47f2-831d-23cedbfaab95/Illenau_Gesamtansicht_Repro.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 4: Mood Music - Make it stand out</image:title>
      <image:caption>Image from a 1865 lithograph depicting the Illenau asylum in Baden, Germany, where music and nature were considered vital agents of healing in recovery from mental illness. Image U.S. public domain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://adrianabarton.com/visual-guide/wired-for-music-the-visual-companion-chapter-5-a-musicians-brain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/e3c7c4c9-8af6-4f4c-95e2-8d9721df7879/crochet.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Me in my early teens learning to crochet at a family friend’s house. Photo Andrée Pouliot, all rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/4ef8fbca-ad75-4b4a-8c43-0ab4e1eb2164/thumbnail_IMG_4044.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>In the “marshmallow test,” children at around age five were given the choice to either eat one marshmallow right away or wait fifteen minutes to receive two marshmallows instead of one. Photo (altered) Mk2010, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Carl Sagan</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1697671838651-8FJ9XUJDZBCDFUNGW80K/The_Sounds_of_Earth_%289460968034%29+%281%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - NASA's Golden Record</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/9eec25b1-a608-48f1-a07e-cb60701697cb/thumbnail_IMG_6524.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>“Herring,” 2014, by my mother Susan Feindel. Acrylic and charcoal on paper. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>The late Paul Allen of Microsoft with his band The Underthinkers, performing at a gala in 2013. Photo Jameswlarsenjr, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3f1ddae2-0500-4346-877d-c00dffcaf42c/Andromeda_Galaxy_%28with_h-alpha%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Einstein likened Mozart’s compositions to the order and beauty of the universe. Behold the spiral Andromeda Galaxy (above) about 2.5 million light-years from Earth. Image taken using a hydrogen-alpha filter. Credit Adam Evans, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/40de4c69-e142-41a7-abae-f025b094a91a/flutes.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Flutes made by my mother Susan Feindel include two “Moses” flutes, an ocarina resembling a flying saucer, and another shaped like a spotted slug. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>This cortical “map” shows the sensory distribution of major body parts in the brain’s cerebral cortex. Most of us sense far more from our fingers than from larger body parts, but this phenomenon is especially pronounced in the left fingers of string players. Illustration OpenStax College, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/b6a4d4b5-4051-4311-a32b-c1487da4d3d3/Corpus_callosum.gif</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>The corpus callosum (red) is typically thicker in people who receive intensive music training starting at a young age. Image generated by Life Science Databases, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/3f12419f-5930-4c4c-a791-062a84322fc3/Paganini_and_devil.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>The Italian violinist Niccolò Paganini (1782-1840) played with such virtuosity, it was said he sold his soul to the devil in exchange for dazzling technique. Drawing circa 1842 by A. Ashley, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Some classical music students perform like robots, like this automaton playing piano at the Shanghai Science and Technology Museum. Photo (cropped) Jakub Hałun, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/074a3104-aba5-4989-92d5-5d13edf75996/upload+%281%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>My mother, Susan Feindel, playing a clay flute modelled after my stepfather’s face. Photo Adriana Barton, all rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/5c5ba92d-c523-45cd-8c9f-1e6e48320e20/Wolfgang-amadeus-mozart_2+%281%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>How much of Mozart’s genius had to do with his early start? Mozart began playing chords on the harpsichord at age 3. In this painting commissioned by his musician father, Leopold Mozart, he is 6 years old. Portrait in the Mozarteum, Salzburg. Image public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Albert Einstein with his violin “Lina” at a charity concert in Berlin, January 29, 1930. Photo (cropped) Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/a1816605-58b6-4e75-a0ca-15b34a86f4a5/Voyager_spacecraft.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>A Voyager space probe carries songs into interstellar space. Artist’s rendition via NASA, U.S. public domain.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/33d4f5f5-7edd-46fc-b549-7d370b5f740e/Mozart+Effect.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain</image:title>
      <image:caption>The music educator Don Campbell, author of “The Mozart Effect” books, was an early adopter of the controversial hypothesis that listening to Mozart boosted IQ.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Synapses relay electrical and chemical messages between neurons. Image by Воробьёв Владислав Константинович, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Jimi Hendrix in 1967, fingering his guitar strings with his right hand instead of his left. Photo public domain.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Nuzzling up to my future husband. All rights reserved.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/56d84ac8-0681-47b1-a56c-ee2cc5884ca1/thumbnail_IMG_6516.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>“Spring Dow’s Lake,” 1982, by my mother Susan Feindel. Acrylic on paper. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>Children learning to play cello in the Suzuki method, which emphasizes playing by ear from an early age. Photo Stilfehler, Creative Commons.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/f5327231-069c-44fd-997b-6155743d60d7/Photo_collage%2C_Color_charts%2C_Rostov-on-Don%2C_Russia.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Paralyzed by micro-decisions, I can spend hours staring at paint chips or rewriting a letter. Then I’ll snap out of it, bewildered and ashamed by the time I’ve spent agonizing over details that don’t matter. Make it stand out</image:title>
      <image:caption>When perfectionism strikes, I can spend hours staring at paint chips, analyzing undertones and the way they shift in different lights. Then I’ll snap out of it, bewildered by the time I’ve spent agonizing over details that don’t matter. Photo (cropped) Vyacheslav Argenberg, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/1697905395663-PX92WJCR8U18WW57J57J/Frances_Arnold_in_2021_at_Caltech_01%2B%25281%2529.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Frances Arnold</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - The Nobel medal</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 5: A Musician's Brain - Make it stand out</image:title>
      <image:caption>My mother designed this flute for two people to play, altering the sound with every slosh of water poured through a little hole in the side. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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    <loc>https://adrianabarton.com/visual-guide/more-than-meets</loc>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>William Gibson’s award-winning novel Neuromancer (1984) follows a washed-up hacker who ventures into a futuristic world called “cyberspace,” which Gibson envisioned while wandering around Vancouver with his Walkman. Years later, in a 1993 interview, Gibson declared: “The Sony Walkman has done more to change human perception than any virtual reality gadget.”</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Yo-Yo Ma in 1987 performing for U.S. President Ronald Reagan, Nancy Reagan, and guests. Photo in U.S. public domain, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Anyone who has cared for a newborn around the clock knows how exhausting it can be. Photo Fortepan #101602, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>Many people insist music primes them for peak performance in the cognitive realm. But is it true? Image Darekm135, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>It got easier: Holding my 10-month-old son about five weeks after the music workshop that lifted my spirits during postpartum depression. ©Adriana Barton. Reproduction in any form prohibited.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/c23b831e-0b77-4722-a1c6-786dbe5e2f8c/GettyImages-97293754.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>Riders "tuning out": New York subway on March 22, 1981, two years after the Walkman was released. Photo by Dick Lewis/NY Daily News Archive. Use on this website licensed via Getty Images. (Warning: Do not copy or post without contacting Getty Images re: file #97293754.)</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>Who could forget Olivia Newton-John singing “Let’s get physical”? Workouts have come a long way since ’80s aerobics and Jazzercise, but there’s still no such thing as a silent spin class, let alone Zumba. GIF via Tenor.com.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>In a recent survey, classical music, especially Bach, was the top choice for drifting into dreamland. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Michael Phelps in June 2011, just before competing in the 100-meter butterfly. The swimmer's pre-race playlist glided from Lil Wayne to Nero to vintage Eminem. Photo JD Lasica, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Barack Obama</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Rapper Jay-Z</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>"I Have Confidence" from the 1965 film The Sound of Music. ©Rodgers &amp; Hammerstein Organization.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/0ab3790b-6631-43da-aa37-4b5f2a4444d7/WaveInterference.gif</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>Binaural beats: Often marketed as “soundwave therapy,” binaural beats deliver two steady tones at slightly different frequencies, one in each ear. Moments later, we’ll hear a low beat that sounds like it’s coming from inside our head. But this third sound is just an auditory illusion—a phantom pulse. Image by Darekm135 / CC BY-SA, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>My mother, Susan Feindel, working on her large-scale mosaic entitled “Quarry” for a public art installation in Ottawa. ©Susan Feindel. Reproduction in any form prohibited without written permission.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/9f8d18e2-a39b-4896-bfcb-29f0ae2b8e9a/PeanutButter.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Listening to music can dampen the histamine response in people with food allergies after they’ve swallowed an allergen such as peanuts. But (warning!) this effect is unlikely to be strong enough to prevent a life-threatening reaction. Photo by PiccoloNamek, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Downtown Vancouver in 1981 — the cityscape author William Gibson explored with a post-punk soundtrack playing on his first Walkman. Photo CVA 779-E11.33, City of Vancouver Archives.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/41c87d4a-9721-413e-9cce-82153ca424b9/Close_up_of_the_woman%27s_hands_while_she%27s_doing_bicep_curls_with_dumbbells._%2850425016047%29.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Working out to music makes exercise seem easier and more enjoyable, studies have shown. Photo Nenad Stojkovic, Creative Commons.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/077314c6-6d1f-4a87-a58f-e24db041453e/Shoulder_pain_2.svg.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>Music relieves pain by evoking a pleasure-reward response in the brain, which sends signals through the spinal cord instructing the body’s endogenous opioid system to suppress pain. Image InjuryMap, Creative Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/95038278-4d11-4a9e-8fd6-1492b487e5d0/Original_Sony_Walkman_TPS-L2.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>The original Sony Walkman: Launched in 1979, this Japanese invention had an asteroid-like impact on how we listen to music. This TPS-L2 model was the first portable music player without an external speaker. Before the Walkman, hardly anyone wore headphones (other than extreme audio geeks). Photo Binarysequence, Creative Commons.</image:caption>
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    <image:image>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Running in time to music gives athletes an edge — so much so that races including the Boston Marathon have either restricted or “strongly discouraged” the use of portable music players. Pictured: Marathon Rotterdam. Photo Peter van der Sluijs, Wikimedia Commons.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b645ac9b1059899dec07ee0/aa36e863-4143-40fc-ac1a-53ffe49c10ae/7-Barton-music+listener.jpg</image:loc>
      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Make it stand out</image:title>
      <image:caption>Music is a mild analgesic compared to opioid painkillers — but it is cheap and free of side effects. Kashirin Nickolai, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear</image:title>
      <image:caption>The Mahotella Queens: President Jacob Zuma greets members of the singing group at the 16th Cape Town International Jazz festival. Photo via GovernmentZA, Creative Commons.</image:caption>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - "Maid" memoir (2019)</image:title>
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      <image:title>Visual Guide - Wired for Music: The Visual Companion | Chapter 6: More Than Meets the Ear - Author Stephanie Land</image:title>
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      <image:caption>Published in September 2025, this feature sheds light on the origins of cancer immunotherapy, the link between radon gas and lung cancer, prevention against ovarian cancer, and the little-known Kaiso gene.</image:caption>
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      <image:caption>Adapted from my book Wired for Music, this excerpt was published on the cover of the Boston Globe’s Ideas section in December 2022.</image:caption>
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      <image:caption>Delivering the closing keynote on music and health at the 34th Annual Boston International Trauma Conference led by Dr. Bessel van der Kolk (author of The Body Keeps the Score).</image:caption>
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      <image:caption>Panel event featuring mRNA pioneers Dr. Steve Pascolo (left) and Dr. Pieter Cullis (right). Photo: A S Gilmore, courtesy Bridge Research Consortium</image:caption>
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      <image:caption>Presenting Wired for Music in sold-out reading at the Vancouver Writers Fest.</image:caption>
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      <image:caption>Photo (in red) with hosts of the CTV talk show “The Social” following a segment on Wired for Music.</image:caption>
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      <image:title>In the news - Presenting “Wired for Music” on CTV’s national talk show The Social.</image:title>
      <image:caption>Guest appearance (in red) on CTV’s national talk show “The Social.”</image:caption>
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      <image:caption>Adapted excerpt from Wired for Music published on the cover of The Boston Globe’s Ideas section.</image:caption>
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      <image:caption>Wired for Music shortlisted for Science Writers and Communicators of Canada Book Awards.</image:caption>
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      <image:caption>Long-form review of Wired for Music in BC Bookworld.</image:caption>
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      <image:caption>Long-form review of Wired for Music in The Tyee.</image:caption>
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      <image:caption>Feature interview on Wired for Music in Canada’s national newspaper, The Globe and Mail.</image:caption>
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      <image:caption>Guest appearance (right) on Global News with Emily Lazatin (left).</image:caption>
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      <image:caption>Wired for Music recommended in The Guardian by science writer David Robson.</image:caption>
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